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Get Out From Behind My Eyeballs (438)

Amy 100dayproject | Creative Journey | Featured | Graphic Novel | Illustrated journal | Philosophical Threads | Podcast , , , , , , ,

Episode 438 Out From Behind My Eyeballs

Episode 438 of the CMP, a Creativity Matters Podcast — drawing stick figures, dip pens, the 100 Day Project, the path to a dream, and more.

This episode hinges on a recurring sense that I am stuck behind my eyeballs and can’t turn just plop my eyeballs out in space and draw myself (or something envisioned). It’s a strange sentiment, but recurring sentiments sometimes are strange and even nonsensical. Needing to draw a tiny (really tiny) stick figure “walking” for something in my illustrated journal recently threw me for a loop.

A stick figure seems simple Little kids draw all kinds of pictures with stick figures. Maybe it has a head, a single-line body, two arms, and two legs. But how those two arms and legs get positioned remains an impossible puzzle in my head. I think about this a lot.

Note – as I did say in this show, I don’t really “want” to draw stick figures. I don’t have ambitions to draw a book of stick figures. But extrapolating out from this, the inability to visualize how the lines work for a stick figure seems intrinsic to difficulties being able to draw other kinds of characters, scenes, moments, and people from my head.

Update – this show was recorded about the problem. Practicing may be a valid and obvious solution and one that has to be fit in if it really matters – or if the dream really matters. There is a niggling voice worming around in my head that knows that sometimes, our dreams are ones that just need to be let go, that somehow are malformed in and of themselves. For now, I’m listening instead to the wisdom of growth mindset. I drew a bunch of a single figure last night, all in seated positions. I used a reference, but I’m going to just continue to do this, reminding myself that it’s easy to be frustrated by a weak skill (or the sense that something that should be innate is not), but the only way to make a difference is to practice.

What do you have to put aside when you are going for your dream?

Circles, Dip Pen, and the 100 Day Project

I didn’t go in-depth in this show about the two 100 Day Projects I started. They involve “circles” and “dip pen” for 100 days. I envisioned the projects separately. But they have ended up being combined on most days. This is largely due to the way dip pen is working. I hope to talk more about these later, but I am sharing regularly at Instagram. (Most of my work on the 100 Day Project is also being funneled into my #illustrateyourweek journal pages. I didn’t totally expect that my illustrated journal would become “mostly” circles, but that may be what happens for these three months. I’m just letting each night’s bit of drawing happen and letting circles appear in whatever way feels right as I experiment with them for layout and as containers for drawing, quotes, documentation, and mindfulness.)

(The 100 Day Project started January 31. This very long post goes through a few of the options I considered and how I think about this project.)

Book Non-sequitors

I mentioned two books at the end, and I probably should have removed those mentions! I didn’t give the title of the first book yet. The second is one that probably doesn’t belong on this show, but it is a book that struck me profoundly in the writing itself, in the detail and memory (in a book that is also about a loss of memory). Know My Name is a powerful (and very brave) book and was such a compelling reading experience for me.

 

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Note: links provided to books, tools, and other resources on the Creativity Matters Podcast website may be affiliate links for which the podcast would make a (very) small amount of money if the item was purchased. The Creativity Matters Podcast is an Amazon.com affiliate. Links are provided for convenience to help you find/see/explore the books, tools, and resources I talk about. Using the library, when possible, is always my first recommendation for reviewing books firsthand.